Oh! How I Hate to Get Up in the Morning
Live Version
Studio Version
Sheet Music
Student Essay
Comedy and Entertainment For and By Soldiers
While some types of art and music that come out during times of war receive heavy documentation and analysis such as propagandist pro-war music, rebellious anti-war music, and songs about love and being homesick, others do not receive as much attention. One major category that is often overlooked is comedy. Comedic songs and shows were quite common as a way of helping soldiers relax and forget about the war for a time, and some comedic war songs were revived when they became relevant again during another war.
While many of the performances put on for soldiers were by civilians, some of them were written and performed by soldiers, mostly for soldiers. However, some performances were put on show for civilians as well, as parts of fundraisers for the army, such as Irving Berlin’s musical Yip Yip Yaphank during World War I. The success of this musical would lead to him writing another musical in World War II, This Is The Army, bringing back some of the first’s songs, including its most popular one, the comedic song “Oh! How I Hate to Get Up in the Morning”. These musicals would end up being popular enough to be performed multiple times in a variety of theaters, with the latter even going overseas and being turned into a movie. These shows, and many others like them, along with other forms of comedic entertainment like small handbooks full of relatable comic strips for the soldiers reading them, helped improve soldier morale throughout the war.
Written by
Taylor Smith is a third-year student at the University of Virginia studying music composition and sound studies. He is pleased to be involved in the ReSounding the Archives project this spring.
Song Information
Recording Information
Performers
James Stevens is a second-year graduate student pursuing a degree in Vocal Performance in the studio of Professor John Aler at George Mason University. His recent Mason Opera appearances include Albert Herring in Benjamin Britten's Albert Herring, Lord Tolloler in Gilbert and Sullivan's Iolanthe, and King Kaspar in Menotti's Amahl and the Night Visitors. His recent concert appearances include singing with the Central Maryland Chorale and the Symphonette at Landon.
Faith Ellen Lam is a sophomore Honors College student at George Mason University where she is a dual major in Music Performance and English. She is in the piano studio of Dr. Linda Monson. She has performed in such prestigious halls as Weill Recital Hall in Carnegie Hall, New York, and the Millennium Stage at the Kennedy Center, and has been invited to play in numerous masterclasses with artists such as Stanislav Khristenko, Jeffrey Siegel, and the Ensemble da Camera of Washington.
Live Version
Eli Stine is a composer, programmer, and educator. He is currently pursuing a Ph.D. in Composition and Computer Technologies as a Jefferson Fellow at the University of Virginia. Stine's work explores electroacoustic sound, multimedia technologies (often custom-built software, video projection, and multi-channel speaker systems), and collaboration between disciplines (artistic and otherwise).
Studio Version
Song Transcription
[Verse 1]
The other day I chanced to meet a soldier friend of mine,
He’d been in camp for sev’ral weeks and he was looking fine;
His muscles had developed and his cheeks were rosy red,
I asked him how he liked the life, and this is what he said:
[Chorus]
“Oh! How I hate to get up in the morning
Oh! How I’d love to remain in bed;
For the hardest blow of all, is to hear the bugler call;
You’ve got to get up, you’ve got to get up, you’ve got to get up this morning!
Some day I’m going to murder the bugler,
Some day they’re going to find him dead;
I’ll amputate his reveille,
And step upon it heavily
And spend the rest of my life in bed.
[Verse 2]
A bugler in the army is the luckiest of men,
He wakes the boys at five and then goes back to bed again;
He doesn’t have to blow again until the afternoon,
If ev’rything goes well with me I’ll be a bugler soon.
[Chorus]
“Oh! How I hate to get up in the morning,
Oh! How I’d love to remain in bed;
For the hardest blow of all, is to hear the bugler call;
You’ve got to get up, you’ve got to get up, you’ve got to get up this morning!
Oh! Boy the minute the battle is over,
Oh! Boy the minute the foe is dead;
I’ll put my uniform away and move to Philadelphia
And spend the rest of my life in bed.